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A glorious and magical
The city with distinct aspects is at once appealing and exciting. A walk around the famous historic triangle of Plaka, Thission and Psyri overwhelms you, a stroll in the old neighborhoods reveal the coexistence of different eras, and the mansions of yore, some well-preserved and some worn out by time present a striking contrast to the modern. The Greek capital dates back to mythological times and as a result the place is dotted with stamps of antiquity all through its surface. The city that you see in its entire splendor is a consequence of several influences, including ancient and medieval Greek, Roman, Byzantine and the contemporary era. Do a wise thing, come to the Greek capital equipped with a rather long stay, reason? The historical attractions are one too many. Start your journey with the South Slope of Acropolis, go on to the ancient Agora, visit the temple of Olympeion Zeus, spent a few hours admiring the Hadrian’s Arch and Library, go atop the Hill of Areopagus, the Hill of Philopappou and that of the Nymphs, and see Kerameikos. Attractions like Lysicrates’ Monument, Panathenaic Stadium, Roman Agora, Temple of Hephaestus, and the Tower of the Winds is also not to be missed.
Museums and art galleries showcasing creative arts are omnipresent throughout
The history of
Being an ancient
You will be surprised by the rich cultural life that
With the smaller spaces that can be found in homes and condominiums, many home owners are thinking of creative ways on how they can have efficient solutions for small areas by using corner sofa bed with storage which have many uses and which they can also decorate. There are many kinds of corner sofa bed that are being sold in the market and this kind of furniture has a double feature that can function well in a bedroom or in a guest room as well.
There are corner sofa bed that has storages which can be placed in your living room and there are also other guides that you can follow in order for you to decorate properly your corner sofa bed and this will be a big help for you. You have to first measure up the size of the room so that you would know the size of the corner sofa bed sale that you are going to purchase for your room and the dimensions of the room should also be defined.
The use of the corner sofa bed is a great solution for maximizing or optimizing the space of the room and you must also learn on how you can rearrange the other furniture that can be found inside the room. There are many kinds of materials for a corner sofa bed and if you want to buy one, you may choose a sofa bed made up of a genuine leather because this is more classy as compared to other kinds of materials.
Fabric material for corner sofa bed is available in the market if you fine the genuine leather material quite expensive and this fabric can also blend in with other designs and colors of furniture that you would want to place in your room together with the corner sofa bed and this would be very helpful for you. You can always buy additional storage with fabric textiles as its cover so that it will be more decorative and colorful when you place it under the cheap corner sofa bed and this is very functional for small space in your room along with other furniture.
If you will buy a corner sofa bed make sure that the base material of your sofa bed is very durable so that it can last for a long time whether the material is a genuine leather of a fabric. Bright colored pillows or cushions can be added to your corner sofa bed if you want to decorate it with something lively and with something that is not that expensive and with this, the decorations will also be pleasing to the eyes.
The heart of present day Athens is fashionable Plateia Syntagmatos which lies below the imposing mass of the Old Royal Palace. Plateia Syntagmatos, which translated means Constitution Square, commemorates the constitution granted by Othon I in a proclamation from the balcony of the Palace on the night of 3rd September 1843.
The OLD ROYAL PALACE, which since 1935 has housed the Parliament, was designed as the residence of King Othon, at his own and his father’s expense, by the Bavarian architect Friedrich Garther and built between 1834 and 1842.
At the foot of the west facade of the Old Palace is a large square bounded on three sides by walls on which, in evocation of the ancient custom of hanging the victor’s shield in the temple, are set bronze shields flanked by the names of the many victories won by Hellenic arms since National Independence. Built into the center of the retaining wall is the TOMB OF THE UNKNOWN SOLDIER, a relief impressive in its simplicity, which depicts a dying hoplite. This work is by the sculptors Constantinos Demetriades (1881-1943) and Phokion Rok (1886-1942), and was unveiled on 25th March (National Independence Day) 1932.
South of Plateia Syntagmatos lies Leophoros Amalias, which is so called after King Othon’s consort, who, with the horticulturist Friedrich Schmiedt, created the delectable retreat adjoining the Old Royal Palace that we know today as the NATIONAL GARDEN. The National Garden is open daily from sunrise to sunset and the shade of its multitudinous trees provides a cool and peaceful oasis in the heart of the city.
On the east side of the Garden are the busts of Capodistrias and Jean-Gabriel Eynard, a great Swiss philhellene who donated large sums of money to the cause of Greek Independence. Both these busts are the work of the famous Pelopennesian loannis Kossos. Other busts in the National Garden are those of three leading Greek poets of the 19th century: Dionysius Solomos of Zante, who is considered the national poet; Aristotle Valaoritis, also a native of the Ionian Islands, and Jean Moreas, which was the nom-de-plume of loannis Papadiamantopoulos, an Athenian who lived the greater part of his life in Paris.
Contiguous to the National Garden is a large public park called ZAPPEION after the brothers Evangelos and Constantinos Zappas of Epirus, who donated it with its splendid exhibition hall to the Nation. On either side of the entrance to the exhibition hall stand statues of the donors, that of Evangelos by loannis Kossos; that of Constantinos by Georgios Vroutos. Among the many pieces of statuary by famous sculptors is the bust of loannis Varvakis by the master Leonidas Drossis. Varvakis is best known as the founder of the renowned boys’ school, the Lykeion Varvakeion, for the endowment of which he bequeathed his huge fortune. Other busts include those of Constantinos Paparrighopoulos, the greatest historian of Modern Greece, of Stephan Dragoumis, the most prominent political personality during the Macedonian struggle (1903-1909), and of George Souris, the leading satirical poet of his times.
A short distance from Plateia Syntagmatos, on the right of Odhos Panepistimiou, we come to a Renaissance edifice of Italian inspiration. This is the NUMISMATIC MUSEUM, which contains a rich collection of Greek, Roman and Byzantine coins, cameos and seal-stones. Built by the noted architect Erst Ziller in 1878, it was the private residence of the illustrious archaeologist Henry Schliemann.
Still keeping on the right-hand side we come to a five-storeyed building situated at the corner of this street and Odhos Omirou. Here are the premises of the ARCHAEOLOGICAL SOCIETY, built entirely in marble. The classical motif of the magnificent bronze door with its richly painted and gilded surround and the ceiling coffered in a delicate blue and gold deserve the greatest admiration. Besides creating the first National Archaeological Museum the Society, which was founded in 1837, has excavated sites all over the country.
Immediately after the Archaeological Society’s premises stands the ROMAN CATHOLIC CATHEDRAL. As the Latin inscription shows, the cathedral was begun in 1853, completed in 1887, and dedicated to St. Dionysius Areopagite. It is a three-naved basilica designed by Leo von Klenze (1784-1864), Bavarian Court architect and master-plan ner of modern Athens, and built under the direction of Lysander Kaftanzoglou (1811-1885), the outstanding Greek architect of the period.
Adjoining this edifice is the OPHTHALMIC HOSPITAL, a Byzantine-style construction designed by Theophil Hansen (1813-1891, the younger of two Danish brothers, both distinguished architects), in 1847, and completed by Lysander Kaftanzoglou four years later.
Just beyond the Ophthalmic Hospital is an ensemble of neo-Classical buildings: on the right the Academy, in the middle the University, and on the left the National Library. All three were gifts to the Nation from wealthy patriots; they are the most sumptuous monuments of Modern Greece.
The HELLENIC ACADEMY OF ARTS AND SCIENCES, a meticulously accurate reproduction of an edifice of the Classical period erected in the graceful Ionic order by Theophil Hansen at the expense of Baron Georgios Sinas, was begun in 1859 and completed in 1875.
The nine sculptured pediments and all the statues before the Academy are the work of the Athenian master Leonidas Drossis. The relief in the central pediment, which portrays The Birth of Athena, and the two gigantic statues of Apollo (right) and Athena (left) standing on tall columns, one on either side of the principal facade, are particularly impressive. The seated figures flanking the short flight of steps leading to the portico represent the philosophers Socrates (right) and Plato (left).
The portico consists of a double row of columns. The coffered ceiling is painted in bright blue and gold and the door opening into the vestibule has a surround of classical inspiration executed in brilliant color and gilding. A statue of the donor Baron Sinas stands on the right of the vestibule, while the interior of the Academy Hall is decorated with eight superb panels by the Oldenburg painter Christian Griepenkerl (1839-1916), depicting scenes from the Myth of Prometheus.
Visitors to the University will be surprised to see a statue of William Ewart Gladstone, standing on the right of the lawn surrounding the forecourt. The dedication on the plinth of this statue immortalizes the prominent part played by the great British statesman in the deliverance of Epirus and Thessaly from Turkish oppression, and their return to the Motherland in 1881.
The statues at the top of the steps leading to the entrance commemorate the great philologist Korais (1748-1833), ardent patriot and “father” of the Modern Greek literary language (right), and Capodistrias (1776-1831), first Head of State (1827-1831) and one of the major architects of modern Greece.
The UNIVERSITY OF ATHENS was founded in 1836, and was initially established in a large house which Schaubert and Cleanthes had built in Plaka (the old quarter of Athens) when they first came to Athens in 1831. This building, at the corner of Odhos Prytaneiou and Odhos Tholou, is still standing and is converted into a museum devoted to the earlier history of the University. The present University buildings were designed by Christian Hansen and the foundation stone laid by King Othon in 1839. The central building was ready for use in 1842, but owing to lack of funds, the buildings as a whole were not completed until 1850.
A colonnade with a handsome portico in Pentelic marble fronted by two Ionic columns with gilded capitals, and a coffered ceiling in blue and gold in harmony with the classical motif of a painted and gilded door surround, gives access to the interior of the main building.
On the upper part of the wall a fresco by the celebrated Austrian painter Karl Rahl (1812-1865) shows the resurgence of arts and sciences under King Othon. Statues of two national heroes, Patriarch Grigorios and the martyred poet Rhigas Pheraios, stand respectively at the right and left angles of the facade.
The NATIONAL LIBRARY, which is built of Pentelic marble on a foundation of poros, consists of a central building in the form of a Doric temple, with two wings. It was planned by Theophil Hansen in 1887 and the work executed under the supervision of Ernst Ziller, at the expense of the Valianos brothers of Cephalonia in 1901. A statue of one of these munificent benefactors, Panayis, stands outside the central building, and those of his two brothers Andreas and Maris inside the entrance hall. All three statues are the work of Georgios Bonanos.
The eminent philologist Andreas Moustoxidis on the island of Aegina formed the nucleus of the Library in 1827. The books were brought to Athens in 1833 and stored in the beautiful church of St. Eleutherius (the “Little Cathedral”). In 1842 they were removed to the first floor of the central building of the University – which had just been completed – where they remained until the National Library was inaugurated in 1903.
In recent years many fine nineteenth century buildings have been demolished and unimaginative concrete structures built on the sites, so that with the exception of the Ionian Bank of Greece on one corner of Odhos Pezmazoglou and the former buildings of the Arsakeion College for Girls (founded in 1836) on the other corner over the Doric portico, built at the expense of Apostolos Arsakis of Epirus in 1848, nothing remains of the splendid buildings that once lined both sides of this street of central Athens.
Continuing along Odhos Panepistimiou for a short distance, we turn right into Odhos Patission. A few hundred meters further down, on our right, stands a construction in the finest Pentelic marble, in which two educational institutions of University status are established: The POLYTECHNIC SCHOOL (Civil, Mechanical, Electrical, Naval, Chemical and Mining Engineering, Architecture, and Topography) and the SUPERIOR SCHOOL OF FINE ARTS (Drawing, Painting, Sculpture, Engraving, etc.). Two wings in the Doric order serve as propylaea to the central building of two storeys, the lower erected in the Doric order, the upper in Ionic. This edifice is the work of Lysander Kaftanzoglou, who built it between 1862 and 1880, and owes its name -METSOVION POLYTECHNEION- to the fact that the principal donors Nicholaos Stournaras, Michalis Tositsas and his widow Helen, were natives of Metsovo in Epirus.
There is an abundance of places to go and things to do in the
Make sure that you see the Acropolis and the Parthenon. This is known as one of the many wonders of the ancient world. Not only is this a great place to spend your time, but also your money. There is a ticket you can purchase that allows you to see the other major archaeological sites as well.
Traveling overseas is an expensive thing to do, even if you budget wisely, but that doesn’t mean that you need to limit the sightseeing that you do to bare minimum.
In an ideal world you will make time to visit the Theater of Herod Atticus, Theater of Dionysious, and the Ancient Agoraare during your vacation in
Make sure that you set aside ample time to explore these areas so that you do not feel too rushed.
The National Archeological Museum in
There is no better museum on the planet to see a collection of ancient Greek sculpture. Jewelery, pottery, and items found in a shipwreck off the island of Antikithera are also on exhibit at the National Archeological Museum.
Even if you are not a history buff or the slightest bit interested in history, you will have a difficult time not finding just about everything in the National Archeological Museum fascinating.
For those of you that already can’t get enough of history, you will probably want to camp out here and never leave. There is such a vast array of exhibits at the National Archeological Museum that you can’t help but get carried away and want to spend all day there.
Regardless of how you feel about shopping, no trip to
Make a stop at the market whenever it fits into your day. Early in the morning trucks unload and you can join most of the Athenian shoppers around midday.
During this time you will get to feel like you are a native to
If you are able to, you may seriously wish to consider taking some time to climb Mount Lycabettus. If you choose to put in the effort a breathtaking view and outstanding cafe will await you. If you are not able to make the trek but do want to see the top of the mountain you can take a train close to the top of the mountain. Many visitors say that walking down the mountain is a lot of fun, even if the climb up the mountain was difficult.
You will likely walk through a neighborhood or two on your way down the mountain. Each of these tiny neighborhoods have their own townspeople with aspects of their Greek culture that is unique to their neighborhood.
If you have been fascinated by Greek ways up until this point in your trip you may want to consider trying to spend some extra time on your stroll down the wonderful Mount Lycabettus.
Coins issued by certain cities or empires took the leading role in dictating which coins were readily acceptable for trade in the Mediterranean lands. One such city was
In Greek mythology, Athena was the goddess of warfare and wisdom. Later known as Minerva by the Romans, she was the goddess of not only wisdom and battle, but of certain crafts and the protector of all cities and states. At birth, according to one myth, she sprang from the forehead of Zeus, the king of the gods, fully grown and dressed in armor. Athena is usually shown wearing a helmet and a magic shield called the aegis. The goddess Athena was not only wise in war but also in the arts of peace. She supposedly invented the plow and taught men how to yoke oxen. Athena’s chief symbol was the owl and in Greek mythology, the owl is firmly linked with Athena who is usually picture with her owl perched on her shoulder. Some say that is why the owl, in modern times, associated with wisdom.
Athenian coins were used in exchange throughout the Greek world, hoards have been found as far away from
Huge sums must have been necessary for the commercial activities of
Common to all issues of the coin are the goddess Athena, in profile on the obverse, and the owl, her constant companion, standing on the reverse, a sprig of olive leaves with a berry above its shoulder. Variations in design exist among denominations of the coin.
Athens was named after Athena, the Greek goddess of wisdom, which is certainly fitting for the birthplace itself. Evidence of its ancient heyday is everywhere, in the remnants of monuments, statuary and sacred sites that are still revered as survivors of one of history’s most important eras.
A Poseidon adventure in art
In Greek mythology, Poseidon is the god of sea, so it is only fitting that the astoundingly wrought bronze statue of him was raised from the bottom of the Aegean Sea, where it lay for centuries after a shipwreck off the Cape of Artemision. The two-meter tall figure stands with arms extended and leaning forward on its left leg. The right hand once held a trident, and the unknown sculptor clearly was a master in accurately duplicating the complicated balancing act that goes into the seemingly simple motion of throwing a spear.
This work of art is one of the many stunning bronzes at the National Archeological Museum in Athens. The museum’s collection – which includes pieces that date all the way back to the prehistoric period – offers the best collection of Greek art in the world. Renovations closed the museum for a year and half, but it was reopened just in time for the 2004 Olympic Games.
At 260 feet above the city, the Acropolis (“high city”) is not only the highest point in Athens, but for many people it is the high point of any visit to Greece. It is the oldest known settlement in Greece and was a sacred site for ancient Athenians.
During the period of 448 to 420 B.C., the distinguished Athenian statesman Pericles commissioned the construction of four new monuments on the Acropolis at the site of former ruins. The Athenian sculptor Phidias presided over the construction and interior design. The Ionic Erechtheum includes the Porch of Caryatids, with its column in the shape of monumental female figures that identify remains a mystery. The Ionic Temples of Athena Nike, dedicated to the cult of Athena as the goddess of victory, was built during the Peloponnesian War, its frieze depicts the Greek victory over the Persians in the battle of Plataea. The Propylaea, the gateway to the Acropolis with rows of both Doric and Ionic columns, replaced an earlier version destroyed by the Persians. And of course, the Acropolis remains home to what’s left of the Parthenon.
The Parthenon, designed by architects Iktinos and Kallikrates, took 15 years to complete. It was the closest to Pericles’ heart: Among various friezes depicting life among gods, the large statue of Athena represented his homage to the goddess and to the greatness of Athens.
Even in A.D. 131, savvy developers like the Roman Emperor Hadrian recognized the importance of signage. “This is the city of Hadrian and not of Theseus,” reads the inscription on Hadrian’s arch, situated at the foot of the Acropolis and once the marker between Hadrianopolis and the Athens city limits. The side facing the Acropolis and ancient Athens reads, ” This is Athens, the city of Theseus.”
Like all the surrounding monuments and the Athens infrastructure itself, Hadrian’s Arch has undergone a major facelift. The 60-foot high archway, constructed of Pentelic marble, upheld by columns with Corthinian capitals and topped by a series of Corinthians columns, lost a bit of structural stability in the mid-18th century, when 8 of its columns were removed.
Restorers shored up the arch, cleaned away centuries of pollution and repaired its cracks, just in time for the 2004 Olympic Games.
The Evzones were once the elite soldiers of the Greek army. Today they are the presidential guards, a ceremonial unit that maintains watch over The Parliament, The Presidential Mansion and The Tomb of the Unknown Soldier. The soldiers wear a traditional and highly photogenic uniform comprising a scarlet cap with a long black tassel, a cotton tunic, black knee tassels above white stockings, red clogs with black pompons and a woolen kilt called a fustanella. The fustanella has 400 pleats, one for each year that the Greeks were on the occupation of the Ottoman Empire. Bearing leather cartridge belts and rifles with a bayonet, the soldiers maintain strict physical discipline as they stand at attention and resist tourists’ attempts to distract them.
A changing of guard is performed daily before the Tomb of the Unknown Soldier, but on Sundays, the complete ceremony – involving an army band and dozens of soldiers – is conducted.
Alice in Wonderland
Imagine Alice in Wonderland’s tumble into a magical world, and you will have an idea what this-off-beaten-path attraction in the Village of Paiania is like. Far larger than a rabbit hole, Koutouki Cave is a natural wonder that will awe you with its colors and formations. In 1926, a goat disappeared from its herd where it was grazing on the slope of Mount Ymittos. A search turned up a small crevice, and a brave soul descended by rope into the abyss below. The goat had not survived the fall, but its intended rescuer returned with a story of a beautiful underground chamber.
The vertical cave consists of a 38.5 meter shaft that opens onto a large cavern with a diameter of about 60 meters. Guided tours take visitors in through a man-made entrance and lead them on a path through stalactites and stalagmites formed by mineral deposits from water seeping through the limestone of the mountain. The tour ends with a light show accompanied by classical music. It’s just a short taxi ride from Athens to nearby Paiania.
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